Having been a trade unionist for over two decades including in PCS as one of the union’s National Vice Presidents, getting involved in Artists’ Union England was a natural thing to do for me both as a visual artist and as a trade unionist.
Having set up the annual TUC Race Relations Committee, Roots Culture Identity art exhibition ten years ago, to fulfil one of the recommendations of the TUC Stephen Lawrence taskforce in order to provide a platform for young black artists experiencing the double discrimination of age and race in the labour market and the racism of the arts and culture sector. As a practicing artist myself, I was well aware of the treatment, working conditions, poor pay and exploitation that artists encounter but also of the institutional racism and barriers faced by black artists.
So, I quickly became involved, elected to the union’s National Executive Committee and then to my current role as one of the joint National Chairs of AUE. As joint chairs we fulfil the role of a General Secretary because our union is structured different to many other unions and we don’t have one.
As a black woman in senior leadership roles in trade unions I have experienced racism, assumptions and isolation. It is very important to surround ourselves with others who can give practical support and to share experiences of the barriers we face with those also going through the same. That is why having black structures is important and being on the TUC Race Relations Committee is crucial to providing that family to support each other but also in ensuring that we form campaigns and policies and take action to remove the barriers, challenge discrimination and ensure that we as black workers have seat at the table both in union structures and in our workplaces.
Recently I have been involved in the TUC Anti-racism Taskforce in the collective bargaining workstream – as an experienced negotiator and personal case officer I am painfully aware of the trauma and stress that black workers go through trying to challenge the discrimination they face at work on an individual basis and the need for us to ensure that race equality is at the heart of collective bargaining but that black trade unionists have a seat at the table at all levels and that there is nothing about us without us.
But I also recognise the importance of us working not in silos but across our communities and it’s also why I have also been a community activist for many years.
In the summer of 2010 I co-founded Black Activists Rising Against Cuts (BARAC) UK in anticipation of the programme of cuts that were to come which ended up being over a decade of austerity, because I knew that these cuts were going to impact adversely and disproportionately on black workers, service users and communities. We needed to bring these group of people together if we were to be effective in our fight against them and so we brought black trade union and black community campaigners together to run BARAC UK both nationally and locally.
Very soon it became apparent that hand in hand with the impacts of austerity came deepening race discrimination, a rise of the far right - which in turn led to a rise in racist abuse and attacks and the scapegoating of refugees and migrant communities. So, our remit as an organisation has broadened to include regular humanitarian aid missions, supporting and leading race justice campaigns, lobbying and campaigning for refugee and migrant rights and working to decolonise institutions and challenge systemic racism.
What I thought would be a short-term campaign turned into an organisation that is now 12 years old and is recognised internationally not just nationally, for example we have special status with the UN in recognition of our work on human rights and race equality. We have co-founded Movement Against Xenophobia, BME Lawyers for Grenfell, African, Caribbean, Asian Lawyers for Justice, Action Against Detention and Deportations, Windrush Day of Action and various anti austerity campaigns to name but a few.
Our work is varied, often urgent, responding to emergencies like the Windrush Scandal, mass deportations – including the Rwanda deal, deaths at the hand of the State, closures of black community centres, mass redundancies and more - recently the disproportionate impacts of the pandemic on those with no recourse to public funds and/ or in frontline jobs for example.
We seek to bring trade unions together with community activists and the communities impacted, arming those who need it with the tools and knowledge to campaign, amplifying the voices of others and providing practical solidarity. A model motion we wrote on the Windrush scandal for example was adopted by local Labour constituencies and passed as policy at National Labour Party conference as well as the TUC Black Workers Conference.
When we face adversity we all need to work together as one but we also give solidarity to those in other parts of the world, making the links between climate change, displacement, migration and racism to the legacies of colonialism on the African diaspora where ever they are in the world now from the USA, Brazil to Europe and organising solidarity vigils and demos when black people are killed in other countries, for example we hosted an event for the family of Trayvon Martin after he was the victim of a racist murder in the USA.
People sometimes wonder why I am invited to speak in different parts of the world on the work I do, whether as a trade unionist, community activist, human rights campaigner or multi-disciplinary artist. This is because racism crosses borders and solidarity should have no borders, our struggles are connected and so our action against it must be collective and global whether at the bargaining table, at borders that refugees fleeing for their lives are blocked from crossing or against cuts to services in our communities.
Having been invited to write this for black history month, it’s important to point out that BHM was always supposed to kick start a programme of black history events that run through the year, black history is every day and it’s world history, it’s British history but because we are often erased from the curriculums and history books it’s essential that we document and archive our histories and that they are shared, celebrated and acknowledged.